
Ruth got me on board half way through Terminal List to bring some programming chops to the table and help with some synth ideas. My Moog Grandmother was amazing at adding some sharpness to the theme for Constance Wu’s character Katie Buraneck.
The Sister was my second project orchestrating for one of today’s great musical forces in TV and film: Ruth Barrett. A spooky thriller, part murder mystery, part ghost story, Ruth’s music conjured a world of tension, suspicion, fear and uneasiness. Alongside the chilling string voicings, I provided a few synth parts, with a big thank […]
My first, and I suspect not my last project orchestrating for Ruth Barrett, as we got on spectacularly. An inspiration for anyone who wants to find out what real time pressure is like on a project! The strings, guitars and harp were recorded between Ruth’s studio and Gorbal’s Glasgow. Ruth’s music on Sanditon is killer, […]